...
0
The Rocky Mount Police Department is excited about partnering up with the Harvester this year for our Toy Drive. The age group is of course from infant on up to teen age. Please bring a toy (unwrapped) and deposit it in the box in the lobby
A 7-foot clown walks into a bar. He motions for a soda water and sits there staring at his drink. The year was 1998 and Puddles had wandered into the Star Community Bar in Atlanta, GA where bartender Big Mike Geier first laid eyes on the sad, silent clown.
“There was a heaviness about him,” says Geier. “I could tell he wasn’t in the mood to chat, so I pretty much left him alone except to pass him the mustard when he pulled an onion and a heel of bread out of his pocket. A couple weeks later, he came by the bar and gave me a flyer to a show he was doing at a flea market. The sound system at that flea market was crap, but his voice was something else. I’ve been in my share of bands and wasn’t expecting much from a clown singing karaoke from a boombox. But I’ll be damned if his singing didn’t get me all choked up.”
The two soon became close friends, with Big Mike acting somewhat as a confidant, and the pair travel all over with Puddles Pity Party, Mike speaking on behalf of Puddles since the clown chooses to stay silent.
Originally from River City before kicking around Atlanta, the sulking serenader gained momentum after hitting the road as guest performer on the 2010 Aqua Teen Hunger Force Live tour and 2013 Eels tour and making special appearances at Seattle’s Teatro ZinZanni and NYC’s Sleep No More.
It was Halloween 2013 when Puddles then collaborated with Postmodern Jukebox to record an epic version of Lorde’s hit song “Royals,” which instantly went viral on YouTube, having received over 34 million views so far. You may also recognize Puddles as quarter-finalist from Season 12 of America’s Got Talent and most recently on AGT’s The Champions 2020. The “sad clown with the golden voice” has captivated audiences and media from around the world, building a fan base of more than 495,000 on Facebook and nearly 900,000 subscribers to the Puddles Pity Party YouTube channel.
Puddles has since performed around the planet, garnering rave reviews at festivals like Edinburgh Fringe, Adelaide Fringe, Perth Fringe, Melbourne International Comedy Fest, Belgium’s Gent Fest, Just For Laughs, Festival Supreme, Outside Lands, SketchFest and the Kennedy Center’s District of Comedy Festival. And he has sold out shows all over from Palace of Fine Arts in San Francisco, Revolution Hall in Portland, The Fonda in L.A., The Vic Chicago, Wilbur Theatre Boston, Gramercy Theatre NYC and Soho Theatre London. Puddles was a feature performer in La Soiree’s 2014 Southbank show in London, which won the Olivier Award. He was handpicked by Neil Patrick Harris to perform Just for Laugh’s “Circus Awesomeus,” gala filmed for HBO Canada and in 2019, he enjoyed a Las Vegas residency at Caesars Palace.
In 2020, with touring and live concerts halted in the wake of the pandemic, Puddles stayed busy producing more than a dozen episodes of his Still Sequestered Show, a musical variety show online series that features lots of special guests like Jack Black, Weird Al, Penn Jillette, Tim Heidecker, Mark Ryden, Neil Hamburger, Rebekah Del Rio, Sid Krofft, Michael Des Barres, Petra Haden, David Dastmalchian, Cait O’Riordan, Michael Stipe, Patton Oswalt, Nicole Atkins, El Vez, Mastodon, Amy LaVere, Jake La Botz and Jolie Holland. You can watch these episodes via the Video On Demand page of this website.
In 2022, Puddles performed a duet with the iconic Eric Idle in Homeward Bound: A Grammy Salute to the Songs of Paul Simon filmed for CBS and was a surprise guest on the Season 4 finale of ABC’s The Conners. He also toured with Tenacious D and landed the coveted John Lewis Holiday advert in the UK with a cover of “All the Small Things” that he recorded with Postmodern Jukebox. In 2023, Puddles was a performer on The Joco Cruise and later that year, Puddles sang “Maids Can’t Mop Up Memories” on Neil Hamburger’s star-studded album Seasonal Depression Suite. Another notable Neil, Mr. Gaiman, featured Puddles as guest performer in his specially curated gala for The Art of Elysium in Los Angeles in 2024. And Tool’s Maynard James Keenan invited Puddles to perform on stage with him during the Sessanta Tour.
“Puddles gives an emotive performance that resonates with all kinds of folks,” says Geier. “The crowd really responds to him. There’s something about a giant sad singing clown that comforts us, let’s us know it’s ok to feel, to show our feelings. It’s a sad and beautiful world, and we’re all in it together, even when we’re totally alone.”
THE BELLAMY BROTHERS: THE LOVE STILL FLOWS…
Howard and David continue to prove that the trail they’ve ridden to fame has been as unique as their music itself—music that is now celebrating over 40 years of success.
The road that started on the pop music charts in the ‘70’s, took a winding turn into country music in the ‘80’s, paving the way for duos to come, such as Brooks & Dunn, Montgomery Gentry, Big & Rich and previously—The Judds. But before the road forked into country, the musical odyssey of brothers Bellamy started creatively smoldering in their home state of Florida, before exploding nationally amidst the ’70’s pop music culture of L.A.
The brothers first official gig was in 1968, playing a free show with their father at the Rattlesnake Roundup in San Antonio, Florida. They honed their early skills playing Black clubs throughout the south, and singing backup for artists such as Percy Sledge, Eddie Floyd and Little Anthony & The Imperials. Within a few months, the brothers moved north, immersing themselves and their rock/country sound in the Atlanta market, where the Allman Brothers were the emerging kings of the music world.
With the dawning of the Age of Aquarius on the horizon, and America embroiled in a smoke haze of drugs, civil unrest and an unpopular war, The Bellamy's music picked-up the hard driving edge that bespoke the times. Songwriting had become David Bellamy’s drug of choice during the long road gigs he and Howard were regularly pulling bodies and equipment to and from. It was his songwriting that was posed to soon provide the duo a national breakout.
The break came in the form of the hit, “Spiders & Snakes,” written by David and recorded by Jim Stafford. The song became a smash, eventually selling more than three million units worldwide. It became the catapult that rocketed the brothers onto the L.A. music scene. Young and impressionable, Howard and David fell into the musical circle of the greats of the day: Bob Dylan, James Taylor and Van Morrison, as well as West Coast based country rockers like Poco and the Byrds.
It was a creative shoe that fit.
Now known by their music and the company they were keeping, The Bellamys officially lifted off the launch pad in 1976 when their single, “Let Your Love Flow,” became an instant smash in both the U.S. and Europe. It stayed on the international charts long enough to build a huge international fan base for the hip young brothers that endures to this day. In Germany alone it perched at No. 1 for more than two months. The love was indeed flowing as The Bellamys jammed for audiences on their sold-out concerts and shared stages with the likes of Loggins & Messina, the Doobie Brothers and the Beach Boys with their patented blend of rock/country music. True to their musical roots, their style and their songwriting was moving steadily more towards their raising.
By the late ‘70’s The Bellamys were emerging on the country charts with another bona fide smash. “If I Said You Had A Beautiful Body (Would You Hold It Against Me),” originally scrawled on a dinner napkin by David, rocketed them to the top of the country charts the way “Let Your Love Flow,” had done in the pop market just a few years earlier. It proved to be the first of a string of fourteen No. 1 singles in the U.S. alone.
Success followed success: “Dancing Cowboys,” “Sugar Daddy,” “You Ain’t Just Whistlin’ Dixie,” “Lovers Live Longer,” “Do You Love As Good As You Look,” “Redneck Girl,” “For All The Wrong Reasons,” “I Love Her Mind,” “I Need More Of You,” “Old Hippie,” “Too Much Is Not Enough,” “Kids Of The Baby Boom,” “Reggae Cowboy” and “Crazy From The Heart,”…all have lined the corridors of the Bellamy’s musical history and their walls with platinum and gold.
Along the way, Howard and David created a patent on the newly cool “duo” category in country music. In the era of the 2000’s, The Bellamy Brothers hold the record in both the Academy of Country Music (ACM) and the Country Music Association Awards (CMA) for the most duo nominations. Numerous GRAMMY nods have also been directed toward the brothers. Internationally, the story has been the same—though the titles may be different. The Bellamys have released more than two-dozen hit songs outside the U.S. that were never released here. With a sharp eye on the songwriting skills that have been the bedrock of their success, Howard and David concur that their career is unique in their international finesse for matching their songs to the market.
“For the international releases, you have to have a strong melody,” notes David. “The lyric is very important, but internationally the melody is something fans can lock into, even if they can’t understand the lyrics.” Howard and David continue to perform and film TV specials in Europe and around the world.
These days when the subject turns to touring, The Bellamys are showing a new generation of country music how it’s done. Country superstar Blake Shelton has helped introduce a new era of fans to the hits of The Bellamy Brothers during his annual Friends And Heroes Tour, where they continue to captivate arena audiences around the country. “We’re old road dogs,” grins Howard when asked about the motivation behind the brothers 200 plus concert dates each year. Adds David: “Our live draw is bigger than it was in the ‘80’s. I think the same people that grew up with us and with our music in the ‘60’s and ‘70’s obviously have raised a whole new generation of Bellamy fans who started toddling to our music. Now they’re turning up at our concerts as college kids, who are really turned on and tuned in to us and our music….it’s a great feeling.”
On the infrequent off days from the road, Howard and David head the bus back to their 150-acre family ranch in Darby, Florida just north of Tampa. A working ranch, the spread consists of Purebred Brahman Cattle and quarter horses. The Bellamys are opening up their lives to television audiences with their hit reality show “Honky Tonk Ranch.” Each episode of “Honky Tonk Ranch” enthralls viewers with the unpredictable misadventures of the Bellamys attempting to balance their globe-trotting touring schedule while also running their sprawling family ranch in south Florida. The show was originally broadcast on “The Cowboy Channel” (a subsidy of RFD-TV) and streamed around the world. Season two of “Honky Tonk Ranch” airs now on Thursday evenings at 8:30 p.m. ET on the Circle Network and will also be available for worldwide streaming in the very near future.
The Bellamy Brothers celebrated their 40th anniversary with the release of a two-CD collection, 40 years, an ambitious project containing 20 of their biggest hits and 20 brand-new songs. In 2019, the Bellamys released Over the Moon as well as their first book Let Your Love Flow – the Life and Times of The Bellamy Brothers. The book is about two Florida cowboys who journeyed from country poverty to worldwide musical stardom because they had the talent and because it never occurred to them, they couldn’t make it.
Their most recent project, Bucket List, debuted in July of 2020 with “Rednecks (Lookin’ for Paychecks),” a timely take on the current situation, leading the EP. Bucket List also includes “No Country Music For Old Men,” a collaboration with longtime friend John Anderson inspired by the loss of Kenny Rogers, and more light-hearted songs like “Lay Low, Stay High,” which ties into Howard and David’s recent partnership with the Florida-based medical marijuana company, Trulieve, on their flower product line Old Hippie Stash.
Charlie Starr, lead vocalist and guitarist for American rock band Blackberry Smoke, will be joined by longtime friend and musician, Benji Shanks, for an acoustic performance.
Starr is a native of Lanett, Alabama and was born into a musical family. His grandfather was in a well-known Gospel band, his grandmother played mandolin and piano and his father, an accomplished guitarist, introduced him to the instrument that would lead to his career in music.
Playing guitar became one of Starr’s passions, in addition to writing and singing. In December 2017, he was named as one of Music Radar’s top 23 guitarists, a list that includes “rock guitar gods” including Keith Richards of Rolling Stones, Slash of Guns N’ Roses, and Billy Gibbons of ZZ Top, amongst others.
Stevie Tombstone
After a chance meeting with Roy Acuff, Stevie (then a young man) was certain he would always be a musician. Georgia born relation of the legendary fiddler, Clayton McMichen, Stevie immersed himself in the world of rock and the underground music scene of the 80s in Atlanta, but never lost the twang of his childhood. Almost three decades later he has become an accomplished performer, songwriter and guitarist, as well as an integral the Atlanta and Austin Music Scenes at various points in time. He now hangs his hat in Western North Carolina.
In addition to his published works with his 1980s swampabilly band, The Tombstones, Stevie has released five solo albums and half a dozen music videos. The Tombstones song, Nobody, became a college radio anthem. The roots punk song about the Carolina Lights and was later recorded by rock icon Stiv Bator.
Tombstone's debut full length release, 730 AM, featured performances by members of Wilco, Jason and the Scorchers, The Bad Livers, and The Georgia Satellites, and offered tracks that peaked on the Satellite Radio charts. After several comps and EPs, his 2011 release, Greenwood, reintroduced Stevie to Americana and folk listeners with the autobiographical tale of his journey to Greenwood to mark the grave of then unhonored Robert Johnson.
Homegrown Music Series: Alum Ridge Boys & Ashlee
Drawing inspiration from many great string bands along the Virginia-Carolina Blue Ridge, The Alum Ridge Boys & Ashlee bring together the best elements of old time mountain music and traditional bluegrass to produce a uniquely authentic old time sound. The Floyd County-based string band plays regularly for dances and festivals around the country and in 2021 they won the old time band contest at the 85th Annual Old Fiddlers’ Convention in Galax, VA. Featuring Ashlee Watkins (guitar/banjo), Andrew Small (fiddle/ mandolin), Trevor Holder (banjo), Conner Vlietstra (guitar/fiddle/mandolin), and Marshall Willborn (bass), The Alum Ridge Boys & Ashlee’s powerful harmony singing and energetic instrumentals have made them one of Southwest Virginia’s favorite string bands.
Take a journey back in time to the life and music of “The Man in Black” performed by Cash Unchained. The band has been nationally sought after while touring all over US bringing the sights and sounds of the legendary Johnny Cash.
Johnny Cash may not have been the greatest singer or musical technician, but his sound was unforgettable. Steady like a train, sharp like a razor, with the perfect blend of country, rock ‘n’ roll, and folk music, Cash paved the way for artists of all genres for years to come. Without Johnny Cash, we wouldn’t have some of the finest music we’ve all enjoyed over the past 6 decades. Performed by some of the finest musicians in the state of Virginia, James Tamelcoff III captures Cash’s trademark baritone voice, while his band delivers the infectious, driving rhythm of the Tennessee Three.
For The Outlaws, it’s always been about the music. For more than 40 years, the Southern Rock legends celebrated triumphs and endured tragedies to remain one of the most influential and best-loved bands of the genre. Today, The Outlaws have returned with new music, new focus and an uncompromising new mission: It’s about a band of brothers bound together by history, harmony and the road. It’s about a group that respects its own legacy while refusing to be defined by its past. But most of all, it’s about pride.
It’s About Pride was also the title of the band’s acclaimed 2012 album, universally hailed as their victorious comeback. “Because The Outlaws had been out of the public eye for so long, it was almost like starting over,” explains founding singer/songwriter/guitarist Henry Paul. “But because of the band’s history, we dig deeper, write better, perform stronger. Everything we do is to reinforce the notion that The Outlaws still matter, and that Southern Rock will always matter. It’s a message we’re proud to bring into the 21st century.”
History lesson: Formed in Tampa in 1972, The Outlaws – known for their triple-guitar rock attack and three-part country harmonies – became one of the first acts signed by Clive Davis (at the urging of Ronnie Van Zant) to his then-fledgling Arista Records. The band’s first three albums The Outlaws, Lady In Waiting and Hurry Sundown – featuring such rock radio favorites as ‘There Goes Another Love Song’, ‘Green Grass & High Tides’, ‘Knoxville Girl’ and ‘Freeborn Man’ – would become worldwide gold and platinum landmarks of the Southern Rock era. Known as ‘The Florida Guitar Army’ by their fans, The Outlaws earned a formidable reputation as an incendiary live act touring with friends The Allman Brothers, Lynyrd Skynyrd, The Marshall Tucker Band and The Charlie Daniels Band as well as The Doobie Brothers, The Who, Eagles and The Rolling Stones. Henry Paul left after the group’s third album to form The Henry Paul Band for Atlantic Records, and later co-founded the multi-Platinum country trio Blackhawk. Over the next 20+ years, The Outlaws would experience rampant personnel changes, tonal missteps, ill-fated reunions and bitter trademark battles that left fans, not to mention Paul, frustrated and saddened. And with the tragic deaths of co-founding members Frank O’Keefe and Billy Jones in 1995 and songwriter/vocalist/lead guitarist Hughie Thomasson in 2007, it was feared that The Outlaws’ trail had come to an end.
When Henry Paul took leadership of the band in 2008, he firmly put The Outlaws back on a path both trusted and celebrated by longtime fans. “Audiences discovered that The Outlaws have something to say that is as engaging as when we began,” says Paul, “which is why every night when we perform, we give nothing less than everything we’ve got.” Along with founding member Paul, the band features several of Southern Rock’s most respected players: Keyboardist/vocalist Dave Robbins is a co-founding member of Blackhawk and has written hit songs for artists that include Restless Heart, Kenny Rogers and Eric Clapton. Longtime Outlaws’ bassist/vocalist Randy Threet has performed with Trisha Yearwood, Pam Tillis and Blackhawk, and is familiar to TV audiences from USA Network’s ‘Nashville Star’. Co-lead guitarist and vocalist Jimmy Dormire brings a wealth of experience and has performed with Col. Bruce Hampton and Confederate Railroad. Drummer Mike Bailey who replaced beloved co-founder/drummer Monte Yoho in 2019 – has played with BlackHawk and Adam Craig, and vocalist and co-lead guitarist Jeff Aulich has brought new fire to the band’s harmony arrangements and six-string pyrotechnics. “Today, we write about the things that collectively mean something to us and play like a band half our age,” Henry says. “When you still have the reason and ability to do that, you can reiterate your position as a significant creative force.”
As live performers, the band burns hotter than ever. “The Outlaws helped define Southern Rock for me and for generations of fans,” wrote music journalist Bill Robinson in The Huffington Post. “Seeing them onstage with The Charlie Daniels Band, Marshall Tucker Band, Allman Brothers, Lynyrd Skynyrd or countless others was, for a long time, one of the best experiences I could have. And so it was again when I saw The Outlaws play recently.” The band’s concerts – vividly captured in their 2016 double album Legacy Live – are blazing 2+ hour tributes to the band’s rich history and fiery rebirth. Classic tracks and fan favorites from the first three albums – as well as The Henry Paul Band’s definitive ‘Grey Ghost’ – share the spotlight with songs from It’s About Pride and 2020’s acclaimed Dixie Highway that have been enthusiastically embraced by audiences. “I think our new material goes back to those first three classic albums, when the band was proud of its influences from country, blues and jazz,” says Paul. “Plus, Dale and Jeff have honored and maybe even stepped up the legacy of the ‘guitar army’. Our goal is to unite the fans and bring the band back into the light. It’s about finishing what we started.” For Henry, Dave, Randy, Dale, Jaron and Jeff, it’s also about a band of brothers who love playing their own brand of rock, and who 40+ years ago first got the chance to share it with to the world.
For The Outlaws, it’s still about the music. And now more than ever, it’s about pride.
For more than 20 years, BlackHawk has shared a unique sense of harmony with their voices, their songs and their fans. It’s a harmony that has sold over 7 million albums, scored some of the most distinctive country radio hits of the ‘90s, and still draws tens of thousands of fans to their electrifying live performances. Today BlackHawk continues to honor its past as it forges its future, and does it all with a commitment that takes their music – and the harmony – to a whole new level.
“When we started,” says BlackHawk co-founder & lead vocalist Henry Paul, “our individual careers as writers and performers gave us somewhat of a more creative sensibility. We were three guys whose goal was to approach country with smart songs and unique harmonies for people who may not automatically like country.” Paul had previously co-founded Southern Rock legends The Outlaws, as well as leading the popular ‘80s rockers The Henry Paul Band. Van Stephenson had mainstream pop success as an ‘80s singer-songwriter-guitarist (“Modern Day Delilah”). And Dave Robbins had written hits for Eric Clapton and Kenny Rogers while partnering with Stephenson to write a series of classic #1 hits for Restless Heart, including “The Bluest Eyes In Texas” and “Big Dreams In A Small Town”.
“Even though the three of us had a love and appreciation for traditional country music,” says Dave, “we knew we weren’t going to be that. Henry was coming from Southern Rock, Van & I were in Nashville, but were writing country songs with pop sensibilities. When it came to our vocals, we wanted the three of us to be up front in the choruses like Crosby, Stills & Nash or The Eagles. What set us apart from the very beginning musically was being true to who we were individually.”
BlackHawk’s 1993 self-titled Arista debut album launched with the smash single “Goodbye Says It All”, followed by the Top 5 hits "Every Once in a While", "I Sure Can Smell the Rain", "Down in Flames" and "That's Just About Right". The album soon certified Double-Platinum, and the band received an ACM nomination as Best New Vocal Group Of The Year. BlackHawk followed up with the hit albums Strong Enough, Love & Gravity and Sky’s The Limit, which collectively featured such hits as “I’m Not Strong Enough To Say No”, “Like There Ain’t No Yesterday”, “Big Guitar”, “Almost A Memory Now”, “There You Have It” and “Postmarked Birmingham”. It was an unprecedented run of hits for a band that never quite fit the standard country mold. “Getting a BlackHawk record on the radio was often a tough sell,” explains Henry, “for the same reason country radio rejected bands like The Mavericks, The Dixie Chicks and Alison Krauss. But we were committed to smart, strong songs whether they fit the format or not. And the fans responded.”
Official Site
www.blackhawklive.com
Facebook
www.facebook.com/blackhawklive
Twitter
www.twitter.com/BlackHawkLive
YouTube
www.youtube.com/BlackHawkLive
Instagram
www.instagram.com/blackhawklive/
Corey Smith has amassed an unfailingly devout fan base, not only in his native Southeast region but all around the nation simply by telling it the way it is. He has released 11 albums—including 2011’s Top 20 release “The Broken Record”. In Summer 2015 Corey teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album “While the Gettin’ Is Good” released on Sugar Hill Records. Smith’s concerts, documented on his live records “Live in Chattanooga” and “Live From Buckhead”, regularly sell out with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One”, the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone”. Corey has just released his new album titled “Suburban Drawl” produced by Erik Dylan. You can hear Corey’s new Single “Cellophane” along with the rest of the album now on all music platforms!
Over the past three decades, A.J. Croce has established his reputation as a piano player and vocal stylist who pulls from a host of musical traditions and anti-heroes — part New Orleans, part juke joint, part soul. From his 10 studio albums, it’s clear that he holds an abiding love for all types of musical genres: Blues, Soul, Pop, Jazz, and Rock n’ Roll. A virtuosic piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and over his career, he has performed with a wide range of musicians, from Willie Nelson to the Neville Brothers, to Béla Fleck and Ry Cooder. A.J. has also co-written songs with such formidable tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen, and multi-Grammy winner Gary Nicholson. His albums have all charted on an impressive array of charts: Top 40, Blues, Americana, Jazz, College, and Radio 1. The Nashville-based singer/songwriter has landed 22 singles on a variety of Top 20 charts. His songwriting and style has evolved from Jazz & Blues on his debut and sophomore albums, to the roots-rock of the more recent collaborative recordings like Cantos with Ben Harper, Twelve Tales with Allen Toussaint, and Just Like Medicine with Vince Gill.
In her first 25 years alone, singer/songwriter/multi-instrumentalist Sierra Hull hit more milestones than many musicians accomplish in a lifetime. After making her Grand Ole Opry debut at the age of 10, the Tennessee-bred virtuoso mandolinist played Carnegie Hall at age 12, then landed a deal with Rounder Records just a year later. Now 28-years-old, Hull is set to deliver her fourth full- length for Rounder: an elegantly inventive and endlessly captivating album called 25 Trips.
Revealing her profound warmth as a storyteller, 25 Trips finds Hull shedding light on the beauty and chaos and sometimes sorrow of growing up and getting older. To that end, the album’s title nods to a particularly momentous year of her life, including her marriage to fellow bluegrass musician Justin Moses and the release of her widely acclaimed album Weighted Mind—a Béla Fleck- produced effort nominated for Best Folk Album at the 2017 Grammy Awards.
“There’s a lot of push-and-pull on this record, where in some moments I feel like everything’s happening so fast and I wish I could slow it all down so I can really enjoy it,” Hull points out. “But then there are also times where I’m looking forward to the day when the craziness has died down a bit, and life’s a little calmer.”
Made with producer/engineer Shani Gandhi (Kelsea Ballerini, Dierks Bentley, Sarah Jarosz, Alison Krauss), 25 Trips continues the musical journey begun on Weighted Mind, a body of work that built off Hull’s bluegrass roots and ventured into entirely new terrain. But while its predecessor assumed a sparse and stripped-back palette, 25 Trips embodies a far more intricately arranged sound—an effect achieved with the help of peers like guitarist Mike Seal, bassist Ethan Jodziewicz, violinist Alex Hargreaves, and fiddler Christian Sedelmyer, as well as several musicians that Hull has long admired (including bassist Viktor Krauss, guitarist Bryan Sutton, and multi-instrumentalist Stuart Duncan). Along with integrating electric instrumentation and percussion into her material for the first time, Hull dreamed up the album’s eclectic textures by embracing a free-flowing process that often gave way to lightning-in-a-bottle improvisation.
STEPHANIE LAMBRING
“I’m not afraid of the uncomfortable,” says Stephanie Lambring. “Oddly enough, I think you can actually find a lot of comfort in exploring it, in facing it head on and seeing it for what it really is.”
It’s that paradox that lies at the heart of Lambring’s stunning new record, Hypocrite. Recorded in Nashville with producer Teddy Morgan (Carl Broemel, Elise Davis), the collection is a remarkable work of self-reflection from an artist determined to know her truest self (and to help us find our own true selves in the process). The arrangements are lush and hypnotic here, with Lambring’s breathy vocals floating atop a sea of dreamy synthesizers and shimmering
guitars, and the writing is as raw and vulnerable as it gets, confronting everything from religion and trauma to body image and motherhood with unflinching honesty. The result is a record that lands somewhere between Phoebe Bridgers and Alanis Morrissette as it looks for the best by reckoning with the worst, an album full of love and grace and compassion that aims to remind us that imperfection and humanity go hand in hand.
“They say the things you dislike about yourself are the things you call out the most in other people,” Lambring explains, “and with this album, I wanted to see what would happen if I called myself out instead. I think there’d be a lot more harmony in the world if we could just own up to our own shortcomings and forgive ourselves in the process.”
Such deep and thoughtful reflection has been a hallmark of Lambring’s work from the very beginning. Born and raised in Indiana, she got her start in Nashville working as a songwriter on Music Row, but after five years of composing for other artists, she asked to be let go from her publishing deal and walked away from the music business entirely. Feeling adrift creatively, she picked up work waiting tables at a restaurant and quit writing for an entire year until a regular customer—legendary songwriter Tom Douglas—encouraged her to return to her craft, this time for herself.
“It felt like my creativity had been rehabbed during that time away from the music industry,” Lambring recalls. “Writing for myself allowed me to say what I wanted to say, to sing about what felt important to me, and that changed everything.”
Cowboy Bebop LIVE
3, 2, 1, let’s jam! The Bebop Bounty Big Band brings together storytelling and high-octane jazz like you’ve never seen before. Cowboy Bebop LIVE is a complete multimedia experience highlighting the story of critically acclaimed anime, Cowboy Bebop on the big screen with live music by the Bebop Bounty Big Band. This 14-piece jazz ensemble features world-class musicians with members from the Jazz Orchestra at Dr. Phillips Center, Orlando Jazz Orchestra, and Disney’s Main Street Philharmonic. Travel the solar system with anime’s most iconic soundtrack as Cowboy Bebop LIVE!
Bebop Bounty Big Band
The Bebop Bounty Big Band is made up entirely of professional world-class musicians. Performers include full-time members of Walt Disney World’s flagship ensemble - the Main Street Philharmonic, current and past members of the world famous Glenn Miller Orchestra, and members from the Jazz Orchestra at Dr Phillips Center. Each musician was hand-selected by band leader, Corey Paul, to perfectly represent the piece of the puzzle they fit into as a member of the Bebop Bounty Big Band and its incredible show, Cowboy Bebop LIVE!
Roster of Musicians
- Saxophones
- Tenor sax/Soprano sax/Flute/Lead Alto Kyle Schroeder
- Alto sax/Flute Sebastian Dones
- Tenor sax/Flute Alex Bodytko
- Baritone sax/Bass clarinet Josh Senften
- Trombones
- Lead trombone/Band leader Corey Paul
- Trombone 2 Derrick Harris
- Bass trombone Will Nestler
- Trumpets
- Lead trumpet Jim Derrick
- Trumpet 2 Josh Mercado
- Trumpet 3 Shawn Villanueva
- Rhythm Section
- Guitar Jon Oxford
- Acoustic/Electric Bass Brandon Miller
- Auxiliary Percussion Brian Radock
- Drum set Josh Platt
“This is a band you know would be killer live”
-Robin Hilton, All Songs Considered, 2024
Established in Virginia’s Shenandoah Valley, Palmyra explores the fusion of traditional folk string instruments, lush harmony, and earnest songwriting. The trio, now based in Richmond, captures the collective spirit of three Virginia natives: Teddy Chipouras, Mānoa Bell, and Sasha Landon. Often described as a distant cousin to The Avett Brothers and The Wood Brothers, Palmyra nods toward Appalachian and Midwestern Americana, with intricate arrangements that create the illusion of a full, larger-than-three ensemble.
The breakout folk trio has worked diligently to cement themselves as an unmistakable force in the Americana music landscape at large. Their forward momentum is propelled by their craftsmanship and dedication to an intimate performance experience; at the heart of the Palmyra is the evident love and regard that the three musicians share for each other and their craft.
Palmyra has directly supported Watchhouse, Mipso, and Illiterate Light, and has won honors and recognition from institutions including the historic Newport Folk Festival, American Songwriter, The Boston Globe, NPR, Under The Radar Magazine, Americanafest, and Merlefest. They were named one of NPR’s “Best New Artists of 2024”.
All of us are broken. But no-one is beyond repair. It’s a philosophy that Walter Trout has lived by during seven volatile decades at the heart of America’s society and blues-rock scene. Even now, with the world more fractured than ever – by politics, economics, social media and culture wars – the fabled US bluesman’s latest album, Broken, chronicles the bitter schisms of modern life but refuses to succumb to them.
“I’ve always tried to write positive songs, and this album is not quite that,” considers the 72-year-old of an all-original tracklisting that rages and soothes. “But I always hold on to hope. I think that’s why I wrote this album.”
For the last half-century, however rocky his path, hope has always lit the way. The beats of Trout’s unbelievable story are well-known: the traumatic childhood in Ocean City, New Jersey; the audacious move to the West Coast in ’74; the auspicious but chaotic sideman shifts with John Lee Hooker and Big Mama Thornton; the raging addictions that somehow never stopped the boogie when he was with Canned Heat in the early-’80s.
Even now, some will point to Trout’s mid-’80s guitar pyrotechnics in the lineup of John Mayall’s legendary Bluesbreakers as his career high point. But for a far greater majority of fans, the blood, heart and soul of his solo career since 1989 is the main event, the bluesman’s songcraft always reaching for some greater truth, forever surging forward, never shrinking back.
It’s a peerless creative streak underlined by the guitarist’s regular triumphs at ceremonies including the Blues Music Awards, SENA European Guitar Awards, British Blues Awards and Blues Blast Music Awards. The iconic British DJ ‘Whispering’ Bob Harris spoke for millions when he declared Trout “the world’s greatest rock guitarist” in his 2001 autobiography, The Whispering Years.
If he were a less questing artist, Trout could mark time and dine out on those past glories, leaving the polemics and calls-to-arms to a younger generation. But that’s not enough, considers the still-hungry veteran. “I have to grow. I want to be a vital contributing artist. I don’t want to come out every night and play my first hit, Life In The Jungle. I feel young. I know I’m not. But in my head, I’m still 25, still wanting to get better and do something I haven’t before. I have more to say.”
As the pandemic burnt out, Trout got back to business: the career-long cycle of writing, touring and resting still as natural to him as breathing. But scarcely had the world’s turntable needles dropped on his latest album, 2022’s Ride, when Trout felt the first tingles of incoming inspiration. Alternating between his homes in the remote Danish fishing village of Vorupør and Huntington Beach, California – or sometimes even in the back of the van, still slick with sweat after that night’s gig – the twelve songs of Broken demanded to be born.
“A lot of times I put on headphones, listen to music that gets me emotional, and then start just writing lyrics,” explains Trout of a process that still fascinates him. “I think these songs are as honest as I can be. The band came down to my house for rehearsals so we could just go in the studio and blow through this stuff.”
Kingsize Soundlabs in LA was the scene of the crime – a familiar Trout Band haunt that also hosted 2019’s Survivor Blues – and producer Eric Corne once again the man behind the glass. “This is our 15th album together,” calculates the bluesman. “Eric and I just have a way of working, man. A friend who came into the studio and watched us and said, ‘Man, you guys are like a machine’. It’s unspoken.”
Shinyribs defies genres as a sonic melting pot of Texas Blues, New Orleans R&B funk, horn- driven Memphis Soul, country twang, border music, big band swing, and roots-rock. The Austin-based nine-piece (sometimes 10-piece) supergroup is led by Kevin Russell, the charismatic frontman with colorful suits and extravagant shoes who continuously swaps out an electric guitar for a ukulele and never falls short of creating a cinematic experience with on- stage antics that often include him donning a light-up cloak or leading a conga line through the crowd.
Shinyribs was named ‘Best Austin Band’ at the Austin Chronicle’s Austin Music Awards in 2017 and 2018.
DISCOGRAPHY:
Well After Awhile (2010)
Gulf Coast Museum (2013)
Okra Candy (2015)
I Got your Medicine (2017)
The Kringle Tingle (2018)
Fog & Bling (2019)
Late Night TV Gold (2021)
Transit Damage (2023)
The Dip is a Seattle-based Rhythm and Blues band that is known for its poignant songwriting, detailed arrangements, and vintage sound. Featuring a three-piece horn section, the group’s music harkens back to earlier soul and funk influences while hinting at the jazz foundations that brought the band’s members together. Along with singer and guitarist Tom Eddy, bassist Mark Hunter and drummer Jarred Katz are equally at home in a tight-pocketed groove as they are spacious free-improvisation. Trumpet player Brennan Carter joined by saxophonists Evan Smith and Levi Gillis serve as the band’s melodic counterpoint, playing off Eddy’s vocals to create a distinct sonic character that has drawn in millions of listeners to date.
"Love Direction";, the follow-up to 2022’s "Sticking With It"; (which landed at #1 on the Billboard Current R&B Albums Chart) is the band’s fourth full-length studio album and second for Dualtone Records, is out now. This new record is the sound of the band taking their next step forward. The interplay of old and new is on full display throughout the album; and, the group augments their classic sound with an expanded instrumentation throughout. Eddy says of the
album’s inspiration: “As you get further along in a relationship, sometimes you lose your way. The things that came easily in the beginning get hard. The love is still there, it’s just that people and life are complicated. Sometimes you don’t have the tools in the toolbox to figure out what you need to do to support the other person, so you have to get help and ask for directions.”
Still, despite the title, this latest record isn’t a collection of straightforward love songs, but an investigation into the different angles and challenges that relationships can bring. Expanding on the album’s theme, Eddy further notes “These aren’t ‘Love Songs’ in the most obvious sense.
They deal with the middle stages, the hinterlands of love and life together - figuring someone out and what they need, learning how to communicate, and examining your own faults. We set out to write music that felt more grown, a little wiser. The songs that emerged all pointed in the Love Direction.”
Their last album cycle saw the band headline and sell-out shows at iconic venues across the country. They have also had the opportunity to support new friends like Lake Street Dive and The Black Pumas, while also appearing at major festivals including Bonnaroo and Outside Lands. No strangers to the road, this new album represents a reflection on the band’s touring gravitas as well as the promise of a new destination appearing on the horizon. Directions now in
hand, The Dip is looking forward to furthering this exploration into all matters of the heart by bringing this expansive and detailed new recording to life in their next travels together.
Shaun Hague has built quite the resume in the last decade of his life. At just 17, he was named “The Best Young Blues Guitarist” by The House of Blues and by 21, the young guitarist was playing guitar for blues phenom Kenny Wayne Shepherd. His career has also seen him sharing the stage with Amos Lee, John Waite, Terra Naomi, performing on Jay Leno and sitting in with John Fogerty.
In honor of his biggest musical influence (Eric Clapton), Hague has been making waves with his Journeyman – A Tribute to Eric Clapton which has become the #1 selling tribute to Eric Clapton in North America.
Robert Monroe is the founding member of Journeyman and a versatile performer of blues, gospel, latin, jazz, and classical. He is a Hammond artist and a highly sought after freelancer in the Chicagoland area. Robert is a regular performer with Elan Artists, Simply the Best, a Tribute to Tina Turner, Andrew Blake Band, and many others.
Darius Peterson has been a fixture on the Chicago music scene as a professional for over 25 years. He began playing at the age of 3, and has had the opportunity to share stages with many notable artists. Well versed in the gospel, R&B, Pop, and Rock genres, Darius continues to contribute to the music scene not only in Chicago, but all across the country.
Dina Bach, Chicago-based singer-songwriter and recording artist, has been performing and building an original music career for over a decade, with music airing on Big 95.5, WGN Radio, NPR’s WNIJ, Radio One Chicago, and Radio Sobro Nashville. To add to these original music accomplishments, she was also asked to sing the National Anthem for her home-town Chicago Cubs at Wrigley Field. With a genuinely charismatic and glowing personality live and off stage, her warm vocals and evocative lyrics create a sound that is both original and approachable. When she is not touring with Journeyman- A Tribute to Eric Clapton, you can find her performing throughout the Midwest, writing music in Nashville and releasing original recordings. (www.dinabach.com)
Brandon Stephens is an accomplished bassist, producer, and professional musician with over 10 years of experience in the music industry. His style is heavily influenced by the greats in the bass world, including Marcus Miller, James Jamerson, and Sharay Reed. Brandon was born and raised in Chicago, Il, where he continues to reside and be an active member of the music community. He has a passion for all genres of music, and his work showcases his ability to seamlessly blend various styles and create something truly unique. With his exceptional talent and unwavering dedication to his craft, Brandon Stephens is a rising star in the music industry.
Must be 13+ to attend
Unlock the mind of a murderer.
Join forensic psychologist Dr. Rachel Toles for an illuminating journey into the darkest corners of a killer’s psyche. In The Psychology of a Murderer, Dr. Toles delves deep into the twisted minds and motives of infamous killers, including Jeffrey Dahmer, Aaron Hernandez, Chris Watts, Aileen Wuornos, the Menendez Brothers, and more.
Discover the psychological factors that drive individuals to commit these heinous acts, and explore the complex interplay of trauma, environment, and mental health. Through gripping case studies, expert analysis, and audience Q&A, you'll gain a deeper understanding of what turns ordinary people into murderers.
Whether you’re a true crime aficionado or simply curious about the human mind, The Psychology of a Murderer promises to be an unforgettable experience. Don't miss this captivating evening of insight, discussion, and reflection.
WEBSITE:
SOCIAL CHANNELS:
https://www.instagram.com/TPOAMTour
https://www.facebook.com/TPOAMTour
TikTok
https://www.tiktok.com/@thepsychofamurderer?is_from_webapp=1&sender_device=pc
Grace Bowers was baptized by rock ‘n’ roll music. She cut her teeth on sweat soaked stages inside dive bars and found fellowship in the divine playing of B.B. King. She once studied six-string scripture – written by Slash and Leslie West – for hours a day, mastering her favorite riffs on a ‘61 cherry-finished Gibson SG.
As an up-and-comer in Nashville, Dolly Parton recruited her for a network television special and Tyler Childers requested that she join him on stage. She’s played with a who’s-who of three-chord storytellers and guitar-pickin’ torchbearers – Lainey Wilson, Christone “Kingfish” Ingram and Susan Tedeschi, to name a few.
And she’s not yet old enough to graduate high school. Phenom? Wunderkind? … Prodigy? No matter what label may be pinned to Bowers, she’s just a teenager who’s putting her faith in rock ‘n’ roll – one song at a time.
“[It’s] a cool thing,” Bowers said. “It blows people’s minds that I’m a 17-year-old girl, playing guitar. And as much as I hate being labeled as that, it’s true.”
But Bowers isn’t just a sought-after 17-year-old guitarist storming jam sessions with her Gibson and a gold-blonde mop of shoulder-length curls, of course. She’s a bandleader and songwriter preparing to leave her mark on some of the biggest stages in music. Her debut album, Wine On Venus – produced by ace guitarist and songwriter John Osborne (of hitmaking country group Brothers Osborne) – hits turntables and streaming services later this year.
Listeners get a first taste of the album on lead single and standout number “Tell Me Why U Do That,” where Bowers and her band – affectionately called The Hodge Podge – deliver a throwback, feel-good tune that comes jam-packed with funk grooves, soul-inspired melodies and a stop-you-in-your-tracks guitar solo. It’s the type of song that dares listeners not to stand up and sing along.
Bowers co-wrote “Tell Me Why U Do That” alongside Osborne and his singer-songwriter wife Lucie Silvas, plus Nashville artist-songwriters Meg Mcree and Ben Chapman.
“I hope this is the one that gets stuck in people’s heads,” Bowers said, with a laugh.
“Tell Me Why U Do That” and the rest of Wine On Venus showcases Bowers’ journey from a teenager who livestreamed bedroom practice sessions on Reddit – sometimes to 20,000+ viewers, no less – to a bona fide album-maker with more than 200,000 followers on Instagram. She picked up the acoustic guitar as a nine-year-old obsessed with so-called “cheesy” hair metal videos. A few years later, her fandom progressed to blues music after she stumbled across B.B. King while shuffling through radio stations in her mom’s car. The proverbial floodgates opened, leading her to discover essential blues artists Mississippi John Hurt, T. Bone Walker and others.
A native of Northern California, Bowers and her family relocated to Nashville two-and-a-half years ago, weeks before her freshman year of high school (Bowers now studies online). Not yet old enough to drive, she continued to grow her audience on social media, becoming a Gibson-endorsed artist by age 14.
She found her way to performing live, taking her skills to dive bars and pay-at-the-door rock clubs before graduating to guest spots at Newport Folk Festival, Nashville’s Big Bash New Year’s Eve concert and her own fundraising gig for victims of the city’s Covenant School shooting in 2023, among others.
How did one teenager cover so much musical ground in such a short time? “Lots of practice,” she said. “Lots of cutting teeth. Lots of not saying ‘no’ to people when I should’ve. Just being stubborn and persistent. I have worked my ass off to make this happen. Just hard work.”
On the album, Bowers and The Hodge Podge graduate from traditional rock and blues influence to sounds inspired by Parliament-Funkadelic and Sly and the Family Stone, she said. The group takes its name from a mixed bag of players that Bowers would invite to share the stage with on a given night. Despite now being a solidified group, the name stuck. The Hodge Podge includes vocalist Esther Okai-Tetteh, bassist Eric Fortaleza, drummer Brandon Combs, guitarist Prince Parker and keys player Joshua Blaylock.
Bowers co-wrote most of Wine On Venus in songwriting circles – a creative exercise that took her “a hot second” to comfortably navigate. But listeners wouldn’t know a first-timer was behind much of Wine On Venus; that’s clear on “Holding On To Something,” a savvy and confident number anchored by a riff Bowers began toying with years ago, she said. The song features a slow-building solo that culminates with harmonized playing and a high-flying howl from Okai-Tetteh.
“I never forgot [that riff] and I was jamming on it one day with a friend of mine. We were writing some lyrics to it and we called over Esther,” she said. “This was the first time we had ever written [together]. It turned out to be that song.”
And Wine On Venus features a cover of Sly and the Family Stone’s “Dance To The Music” that takes on a Hodge Podge twist.
“It was just fun,” Bowers said, recalling the cover session with a laugh. “If you listen to it, you can hear all of our voices in the background throughout the entire song, which I thought was a cool thing to keep in. That one took us a couple hours to knock out. It was a fun, easy song.”
This year, Bowers and the band take Wine On Venus on the road for a run of dream-making festival shows, including slots at BottleRock Napa Valley, Bristol Rhythm & Roots Reunion, Bourbon & Beyond and Pilgrimage Music & Cultural Festival, among others.
But a booked schedule doesn’t mean Bowers isn’t already thinking about the next project. Like most people who believe in something, she wants to find out where this rock ‘n’ roll journey leads her.
“I love it,” she said. “Seeing where I can go with it, I still have so much to learn.”
"The music and energy of two legendary stadium rock bands comes together in one electrifying show! Their repertoire of classics hits by Foreigner and Journey provide a crowd-pleasing night of unforgettable music. Get your wine coolers, mullets and stone washed jean vests ready for a night of sing along debauchery and dance grooves that will pop you from your seats. From heartwarming power ballads like "Faithfully," "I Want to Know What Love Is," to anthems like "Feels Like The First Time," "Don't Stop Believin'," "Cold As Ice" and "Any Way You Want It," Foreigners Journey A Tribute to Foreigner & Journey featuring vocalists from American Idol are more than a tribute band. They're a time machine, and their energy is infectious!"
Featuring 2X Tony Nominated Star of Broadway's Rock of Ages and American Idol Icon - CONSTANTINE MAROULIS! Their repertoire of classics by Foreigner and Journey provide a crowd-pleasing night of unforgettable music. Not only heightened to new levels with the addition of Constantine, expect added "Rock Of Ages" mash ups that will take you right back to the Sunset Strip!! Get ready for a night of sing along and dance grooves that will pop you from your seats. From heartwarming power ballads like "Faithfully," "I Want to Know What Love Is," to anthems like "Hot Blooded," "Separate Ways," "Jukebox Hero" and "Don't Stop Believin'," FJ with Constantine Maroulis are more than a tribute band. They're a time machine, and their energy is infectious!"